Robert Hass Poem
Heroic Simile
When the swordsman fell in Kurosawa's Seven Samurai
in the gray rain,
in Cinemascope and the Tokugawa dynasty,
he fell straight as a pine, he fell
as Ajax fell in Homer
in chanted dactyls and the tree was so huge
the woodsman returned for two days
to that lucky place before he was done with the sawing
and on the third day he brought his uncle.
They stacked logs in the resinous air,
hacking the small limbs off,
tying those bundles separately.
The slabs near the root
were quartered and still they were awkwardly large;
the logs from midtree they halved:
ten bundles and four great piles of fragrant wood,
moons and quarter moons and half moons
ridged by the saw's tooth.
The woodsman and the old man his uncle
are standing in midforest
on a floor of pine silt and spring mud.
They have stopped working
because they are tired and because
I have imagined no pack animal
or primitive wagon. They are too canny
to call in neighbors and come home
with a few logs after three days' work.
They are waiting for me to do something
or for the overseer of the Great Lord
to come and arrest them.
How patient they are!
The old man smokes a pipe and spits.
The young man is thinking he would be rich
if he were already rich and had a mule.
Ten days of hauling
and on the seventh day they'll probably
be caught, go home empty-handed
or worse. I don't know
whether they're Japanese or Mycenaean
and there's nothing I can do.
The path from here to that village
is not translated. A hero, dying,
gives off stillness to the air.
A man and a woman walk from the movies
to the house in the silence of separate fidelities.
There are limits to imagination.
Robert Hass
When the swordsman fell in Kurosawa's Seven Samurai
in the gray rain,
in Cinemascope and the Tokugawa dynasty,
he fell straight as a pine, he fell
as Ajax fell in Homer
in chanted dactyls and the tree was so huge
the woodsman returned for two days
to that lucky place before he was done with the sawing
and on the third day he brought his uncle.
They stacked logs in the resinous air,
hacking the small limbs off,
tying those bundles separately.
The slabs near the root
were quartered and still they were awkwardly large;
the logs from midtree they halved:
ten bundles and four great piles of fragrant wood,
moons and quarter moons and half moons
ridged by the saw's tooth.
The woodsman and the old man his uncle
are standing in midforest
on a floor of pine silt and spring mud.
They have stopped working
because they are tired and because
I have imagined no pack animal
or primitive wagon. They are too canny
to call in neighbors and come home
with a few logs after three days' work.
They are waiting for me to do something
or for the overseer of the Great Lord
to come and arrest them.
How patient they are!
The old man smokes a pipe and spits.
The young man is thinking he would be rich
if he were already rich and had a mule.
Ten days of hauling
and on the seventh day they'll probably
be caught, go home empty-handed
or worse. I don't know
whether they're Japanese or Mycenaean
and there's nothing I can do.
The path from here to that village
is not translated. A hero, dying,
gives off stillness to the air.
A man and a woman walk from the movies
to the house in the silence of separate fidelities.
There are limits to imagination.
Robert Hass

3 Comments:
Well that's a hell of a thing. Imagine if you would that a man had, say, twenty dollars in his pocket, and that if he weren't to spend it immediately on a book of poetry he would almost definitely spend it on something silly, like say a load of laundry and a pizza and forty ounces of beer...so then given his situation, which poets should he run out and spend his treasure on before he piddles it away? ("should he have spent it on"? I've become confused about my tenses.) Imagine also that he wishes he knew more about poetry.
Also - have you seen Rashoman? There's a beautiful series of tracking shots at the beginning, following a woodcutter as he walks through the forest.
By
em, at 5:48 AM
Earle-y Birley,
By the way, I love this photo of you. It is evocative of past-times had. Thanks for commenting. Did you like this poem? G doesn't like it much (although you know he loves Robert Hass.) It's too "meta" for him. I don't know what book you should/ should have bought. If you like Robert Hass, Field Guide, his first book, is excellent. But- it's nature poetry. There is a Canadian poet, Anne Michaels, who I like a lot. A book called Skin Divers is one of my favorites. Or was a few years ago... I haven't been reading enough poetry lately, and need some books myself.
Are you back is the U.S. now? How was NZ? I'd like to email you, and will as soon as G finds your address.
Miss you dude.
K
By
wakarimasen, at 7:01 AM
Oh yeah, I loved the poem. I was startled by my love for it, in fact. We should post poems on these blogs more often. Funny, I had to explain to one of my Korean ESL students a couple of months ago that "hell of a" was not a necessarily derogatory emphasizor. I love English. I love everything. I am back from NZ, and it was absolutely wonderful. Do email - it is a yahoo address of the firstname_lastname variety. How much longer are you all in the Eastern Hemisphere?
By
em, at 10:23 AM
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